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Montefiore Annual Fete
The sun shone for the Montefiore 87th Annual Fete last weekend at which an estimated 1200 supporters of all ages came along to enjoy a fabulous day of fun.

Shoppers hungry for bargains arrived well before the official opening time at Sydney’s Hunter Hill venue and all day people snapped up clothes, jewellery, toys, books and glassware.

Children were treated to performances from popular entertainment group Go Seek! and school bands from Masada. They also loved the facepainting, the jumping castles, rides and of course, Monte the Lion

Fete Chairman, Roy Cohen acknowledged the generosity of the Fete sponsors, donors and the Volunteers who worked tirelessly both before the event and discount canada goose hybridge lite jacket womens the day. “I would especially like to thank Masada pupils,” discount canada goose hybridge lite jacket womens adds. “The bands performances were outstanding and the army of volunteers from Masada who helped set up and pack up worked extremely hard.

The sun shone all day and people went home with bagfuls of bargains and full stomachs from the fantastic food stalls.

The Montefiore Fete is the longest running event in the Jewish calendar and raises vital funds for the Motnefiore Home. The funds from the last three years fete enabled Montefiore to completely refurbish the special care unit at the Hunters Hill campus – due for completion in December.


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Subway Restaurants and Disney have teamed up to focus on your kids’ health

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And they work hard at it. Screamfest advantages of among the great motivators within getting the most from festival volunteers in addition staff: they have to do a constantly. The centerpiece of Screamfest is a number of populated haunted structures of variable themes — yesteryear they taken Nuclear Headache, the Bates Resort, The Insanitorium, Terror Up the Big Elevation, and your whole Black Orifice — if a cast of them tortured spirits will work hard to get a nervous thereafter scare you can get witless. When you go at cynical, you’ll be able to kill the atmosphere, but still your less-dickwaddy good friends will upper hand and scream only a few times, and That is going to scare you have probably witless.

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“The “Bill” in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns “On the Street” and “Evening Hours.” Documenting uptown fixtures (Wintour, Tom Wolfe, Brooke Astor, David Rockefeller—who all appear in the film out of their love for Bill), downtown eccentrics and everyone in between, Cunningham’s enormous body of canada goose camp coat 2015 is more reliable than any catwalk as an expression of time, place and individual flair. In turn, Bill Cunningham New York is a delicate, funny and often poignant portrait of a dedicated artist whose only wealth is his own humanity and unassuming grace.”


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calvin’s story
Perched on the toilet seat lid, my boy propped between my knees, I hear the rattle of the shutters in his little hands, feel the smoothness of his belly in my palms. I smell his hair, the sweetness of his breath, notice the grooves in the wood floor beneath my feet, bits of grit wedged between its slats. I’m tempted to wallow in the monotony, but this time, instead, I try practicing mindfulness, which my friend Elizabeth highly endorses. Mindfulness, as I see it, is the art of living in the moment taking in all of life’s trivial details with each breath, letting them settle like dust in my mind’s eye before exhaling. Mindfulness is also something we can practice with others.

Our scene becomes its elements, we become its essence. Little fingerprints on the mirror are clouds, the black mark on the wall, a comet. I regard the bend in my son’s slender arm which he offers me, and I fit my mouth on it, delicately, like sucking on a peach. He giggles. Nellie pads into the room, her blonde coat like a palomino, its darker parts the color of Puerto Rican sand or of a penny. Nellie’s brown eyes are the same as my mother’s, and I close mine trying to conjure her voice.

I melt back into the moment, notice the hydrangea on the other side of the drool-smeared window. Its blossoms are beginning to open, turning from faint green to ivory, bowing their popcorn ball heads under the weight of a recent rain. Spiders and their beaded webs inhabit the spaces between shrubs. Woody stepped on one yesterday. “Spiders are good luck,” Michael had said as Woody’s loafer twisted into the bug, and I’d thought about the daddy long legs my friends and I had pulled apart limb by limb when I was a child.

While struggling with Calvin on our way to visit Woody, my monotony turns to self-pity. I want to cry over my sorry circumstances, about the fact that my son engages in the same activities that he did when he was two, that he can’t talk and can’t walk without risk of falling, that he remains in diapers though he is ten years old. Life paces along slowly. Little changes. Little improves. “It gets better,” one woman said to me the other day. I told her I wasn’t so sure. Another man, a stranger in my home there to check the furnace, asked about Calvin and when I explained he said, “God doesn’t give you more than you can handle.” I stridently disagreed, citing those lost to suicide. Shamefully, he insisted, saying, “That’s their choice.” I told him that, if there is a God, a Force, a Spirit, “He, She, It” doesn’t dole out misery and suffering, giving more to some than to others, “Like Calvin,” I said, “I don’t believe that for a second.” Forgetting to be mindful, he continued to shove his belief system down my throat before motioning to Calvin and saying what I already know, “He’s a good boy.” I could hardly wait for the guy to get the hell out of my house.

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Clay comes to pick up the cannabis oil for testing. He greets us and swoops right in close to say hello to Calvin who seems oblivious to most things. Clay doesn’t mind. I tell him that almost no one touches Calvin, while at the same time thinking of John C. and of Elmer, of Matt and of Luke who lovingly do. “It’s like they’re afraid,” I say. Clay stays for a while and we chat. Before leaving he crouches on the floor with my boy, puts his palms on either side of Calvin’s torso in Reiki fashion. Calvin calms, tilts his head back to listen. , I think. Clay’s essence is pure and kind. I believe he, too, lives in the moment. We hug and say goodbye. Nellie stands next to me on the floor and I look into her chestnut eyes. Calvin crawls under her legs and for a moment canada goose parka new york online store appears as if he is shouldering her. She remains still. She’s mindful of her new brother, and he of her. I smell her apricot hair, which is soft and warm from having napped in the sun on the hardwood floor, which I notice has grooves and grit between its slats.


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Cold Specks, Ace Frehley top this week’s new music 0
Ace Frehley
Space Invader

Ack! Ace is back. Again. And back in the same groove. Again again. Three decades after leaving KISS (for the first time, anyway) and six albums into his underwhelming solo career, the Spaceman continues to belie his enthusiasm for all canada goose expedition youth xl outlet futuristic by cranking out another disc of plodding retro-rock — with the same lyrical mix of sci-fi, self-mythologizing and self-help he’s spun since getting sober. This can only mean one of two things: A) Frehley has discovered space-time travel and is whizzing through the galaxy and the ages, planting a series of similar-sounding albums that will echo throughout history, eventually creating a harmonic vibration that rings across the cosmos and ushers in an eternity of peace and enlightenment; B) He’s just another creatively bankrupt wastoid who’s stuck in the past and lazily recycling the same shtik for the umpteenth time. Either way, told you so.

RATING: 2 (out of 5)

FKA Twigs

If you want people to hear you, raise your voice. If you want them to listen to you, lower it. It’s not a new lesson; but it’s one the British artist Formerly Known As Twigs (and concurrently known as Tahliah Barnett) has clearly taken to heart. And, more vitally, one she’s put an interesting spin on with her full-length debut. Far more imaginative and memorable than its utilitarian title would suggest, LP1 artfully showcases Twigs’ ethereal layered vocals — which effortlessly glide from a breathy whisper to a bird-like falsetto — by underpinning them with elegantly stark electronics and slow-moving grooves midway between trip-hop and alt-R&B. The combination has already earned her breathless praise and comparison to Björk, Massive Attack and The xx. All of that is fair — but make no mistake, one listen is all canada goose expedition youth xl outlet takes to understand she’s more innovator than imitator. And to convince you that LP1 is something to shout about.

RATING: 4 (out of 5)

Bahamas is Afie

What’s it all about, Afie? If Toronto singer-guitarist Afie Jurvanen hopes the title of his third album will make folks stop calling him Alfie, good luck — even the company distributing his music got it wrong on the digital file they sent me. If, on the other hand, it’s a reminder of the singular vision and talent behind his music, well, fair enough. Though that’s hardly news. As usual, the former Feist sideman is essentially a one-man band here, playing most instruments and tastefully decorating and expanding his breezy indie-folk meditations and lazy alt-country ruminations with lush backup vocals and distinctive orch-pop flourishes like a bedroom-bound Brian Wilson. By any name, it’s a keeper.

RATING: 4 (out of 5)


Billy Corgan

Try ZZZZZ. The sometimes-great Pumpkin twiddles knobs, pushes pedals, moves faders and generally noodles about for 85 monotonous minutes of meandering meaningless that makes Metal Machine Music sound like MmmBop. No songs, no lyrics, no structure, no point. Cue the infinite sadness.

RATING: 1 (out of 5)

Michael Cera
True That

Yes, that Cera. Arrested Development’s George Michael. Thankfully, that’s not his only musical credential — along with performing in a couple of movies, he played bass in indie-rockers Mister Heavenly and played on Weezer’s Hurley. Not that they have much to do with the idiosyncratic indie-folk, whimsical experiments and nostalgic piano instrumentals of this home-made debut.

RATING: 3 (out of 5)

Various Artists
Nashville Outlaws: A Tribute to Mötley Crüe

You’d think country and Mötley Crüe couldn’t suck any harder than they already do. You’d be wrong. Every bit as wrong as whoever thought it would be a good idea to enlist folks like Rascal Flatts, Florida Georgia Line and LeAnn Rimes to add down-home twang to Crüe’s Sunset Strip sleaze. Aside from a few inventive exceptions — like The Mavericks’ Tex-Mex take on Dr. Feelgood and Lauren Jenkins’ menacing Americana version of Looks That Kill — this is essentially the soundtrack to the worst redneck-bar karaoke night in history. Don’t go away mad. Just go away.

RATING: 1.5 (out of 5)

Smokey Robinson
Smokey & Friends

Imitation may be the sincerest form of flattery. But self-flattery is never the most satisfying tribute. Soul legend Robinson proves that by becoming the latest icon to have VIPs like Elton John, John Legend, Mary J. Blige and Sheryl Crow sing his praises and harmonize on his hits (though having Brit-pop fluffsters like Jessie J and Gary Barlow is stretching the definition of friendship). Results range from the respectfully benign to the screechingly malignant — we’re looking at you, Steven Tyler — but like most of these affairs, this just makes you want to listen to the originals.

RATING: 2 (out of 5)

F**k EP

Just call them F***cherry. For their EP, Josh Todd and co. follow a simple rule: Every song has an F-bomb — from the riff-rocker Somebody F***ed With Me to the funk-metal of I Don’t Give a F*** to Say F*** It, a cover of Icona Pop’s I Love It. Why? Because they’re classy. And because they’re Buckcherry. But if you don’t get a chuckle out of it, you’re taking it too f***ing seriously.

RATING: 3 (out of 5)

Wiz Khalifa
Blacc Hollywood

Too much slack and mellow, not enough Black and Yellow. Dope-loving rapper Khalifa’s fifth full-length has its highs and lows — the former when he sticks to his winning formula of slow-burning and irresistibly hooky odes to weed, women and the club, and the latter when he tries to get thoughtful or starts crooning like some skinny-ass version of Drake. Puff, puff, pass.

RATING: 3 (out of 5)

Corrosion of Conformity

Symmetry in Black

There’s more than one way to feed your Sabbathy Southern metal jones this summer: 1) With the stoner-boogie jams and thrashy outbursts of fittingly titled ninth album from the Pepper Keenan-free power trio COC; 2) With the meatier, more muscular and malevolent doom-sludge of singer-guitarist Kirk Windstein and Crowbar’s 10th rugged release. Or you could play ’em side by side and wait for your brain to detonate.

BOTH: RATING: 3.5 (out of 5)


Elvis Presley
Elvis: That’s the Way It Is Deluxe Edition

Here’s the way it was: In August of 1970, Elvis Presley packed up his white jumpsuit and headed to Las Vegas for a series of casino concerts that were filmed for the 108-minute documentary That’s the Way It Is — and recorded for an album of the same name (that, in Presley’s usual laissez-faire fashion, also incorporated recent studio tunes). Naturally, as with all canada goose expedition youth xl outlet Elvis, much of the voluminous archive of live material has been doled out in various reissues and releases over the decades. In 2001, Turner Classic Movies even had the documentary restored and re-edited. And, in keeping with the completist nature of recent Presley boxes like Elvis at Stax and Young Man With the Big Beat, it’s all been gathered together in this mammoth 10-disc set, released earlier this month to mark the 37th anniversary of his death. Naturally, you get the original album, along with a handful of singles and outtakes — but not the dozens of studio leftovers from previous versions. Instead, this box focuses on the live shows. You get complete recordings of all the performances taped for the film — six similar but slightly different shows comprising more than 100 songs, including more than 20 previously unreleased cuts and multiple versions of more a dozen Presley classics from Blue Suede Shoes to In the Ghetto. The eighth and final CD contains 20 previously released rehearsal recordings from the days before the shows. Along with all that audio, there’s also some video: The original 1970 documentary; the streamlined and superior 2001 cut that excises superfluous fan interviews for more performance footage; a 10-minute making-of featurette, and over half an hour of bonus live and rehearsal fare. Most of it is typical of Elvis at the time — everything is loose and freewheeling, with Elvis goofing around between (and during) songs, smooching with the women down front and punctuating the band’s driving arrangements with air kicks and karate moves. Finally, there’s an 80-page softcover book of interviews, reminiscences, photos, essays and a chronicle of every song recorded for the film and where it was ultimately released. Granted, at $180, the price is fairly steep — especially for a box with so much repetitive and previously released content. But hey, with Elvis, that’s the way it is.

RATING: 4 (out of 5)

Allman Brothers Band
The 1971 Fillmore East Recordings

Even greatness can be made greater. The ABB’s 1971 double-album At Fillmore East is already acknowledged as one of the finest live albums of all time. And naturally, since it was condensed from several shows, other songs from the shows have been sprinkled into various reissues. But finally, for the first time, here’s the whole enchilada. The full Filmore. All the Allmans, as it were. Or at least as close as we’ll likely ever get. This six-disc set contains the complete versions of all five gigs that contributed to the original album — more than six hours of epic ABB jams and incredible slide work from th